Women in Translation

According to the translation resource Three Percent, only 3% of books published in the United States are translations from other languages.  Of those, it is estimated that only 30% of books translated into English are by women authors.  Western Libraries celebrates Women in Translation Month by featuring poetry, novels, short stories, and other writing from women around the world, with work ranging from 11th century Japan to books published within the last year.  

 

Women in Translation

by Natalia Ginzburg ; translated from the Italian by Frances Frenaye.

Publication Date: 1947

Summary:

Finally back in print, a frighteningly lucid feminist horror story about marriage The Dry Heart begins and ends with the matter-of-fact pronouncement, 'I shot him between the eyes.' Everything in between is a plunge into the chilly waters of loneliness, desperation, and bitterness, and as the tale proceeds, the narrator's murder of her flighty husband takes on a certain logical inevitability. In this powerful novella, Natalia Ginzburg's writing is white-hot, fueled by rage, stripped of any preciousness or sentimentality; she transforms an ordinary dull marriage into a rich psychological thriller that might pose the question: Why don't more wives kill their husbands?

cover of The dry heart

by Mieko Kawakami ; translated from the Japanese by Sam Bett and David Boyd.

Publication Date: 2021

Summary:

Tells the story of three women: the thirty-year-old unmarried narrator, her older sister Makiko, and Makiko's daughter Midoriko. Unable to come to terms with her changed body after giving birth, Makiko becomes obsessed with the prospect of getting breast enhancement surgery. Meanwhile, her twelve-year-old daughter Midoriko is paralyzed by the fear of her oncoming puberty and finds herself unable to voice the vague, yet overwhelming anxieties associated with growing up. The narrator, who remains unnamed for most of the story, struggles with her own indeterminable identity of being neither a "daughter" nor a "mother." Set over three stiflingly hot days in Tokyo, the book tells of a reunion of sorts between two sisters, and the passage into womanhood of young Midoriko.

cover of Breasts and eggs

by Maryse Condé ; translated from the French by Richard Philcox.

Publication Date: 1986

Summary:

This wild and entertaining novel expands on the true story of the West Indian slave Tituba, who was accused of witchcraft in Salem, Massachusetts, arrested in 1692, and forgotten in jail until the general amnesty for witches two years later. Maryse Condé brings Tituba out of historical silence and creates for her a fictional childhood, adolescence, and old age. She turns her into what she calls "a sort of female hero, an epic heroine, like the legendary 'Nanny of the maroons, ' who, schooled in the sorcery and magical ritual of obeah, is arrested for healing members of the family that owns her.

cover of I, Tituba, Black witch of Salem

by edited by Haifa Zangana, Christalla Yakinthou, and Virginie Ladisch ; translated from the Arabic by Katharine Halls and Nariman Youssef.

Publication Date: 2025

Summary:

"This book is a compilation of writing by Tunisian women across three generations who share their experiences of political oppression"--

cover of Salt journals : Tunisian women on political imprisonment

by by Lamia Ziadé ; translated by Emma Ramadan.

Publication Date: 2024

Summary:

"Blending the author's years of research, personal memoir and more than 300 illustrations, this compelling history of the modern Arab world explores the major thinkers, struggles and turning points that have shaped the Middle East as we know it today. Ziadé begins in South Lebanon, 'land of martyrs, ruins and passion', before taking the reader further afield, to Beirut, Jerusalem, Cairo and Baghdad. The book moves from the beginning of the 20th century to the present day, tracing the Arab world's tragedies and the derailing of dreams and possibilities caused in large part by Western imperialism and the conquest of Palestine."--

cover of My great Arab melancholy

by Linnea Axelsson ; translated from Swedish by Saskia Vogel

Publication Date: 2018

Summary:

The winner of Sweden's most prestigious literary award makes her American debut with an epic, multigenerational poem about a Sámi family's quest to stay together across a century of migration, violence, and colonial schooling.

cover of Ædnan : an epic

by María Medem ; [translated from Spanish by Lawrence Schimel].

Publication Date: 2021

Summary:

Under an ever-present orange sun illuminating a desert landscape, two artisans, one for glass the other for clay, meet every day for lunch and chat. Both are sleepwalkers, but experience this phenomenon in drastically different ways. The potter hates his somnambulism, considers it an uncomfortable part of his being as if he shared a body with a stranger. Whenever he becomes aware of it, he suffers, a sense of anguish and despair invades him. The glassblower, however, is not nearly as bothered by being a sleepwalker. One night, he wakes up startled. Taken over by insomnia, he goes to his workshop and there he will make a horrifying discovering that will trigger the conclusion of this story. With an evocative colour palette ranging from deep blue to bright orange that will certainly remind one of George O'Keeffe's paintings of the desert, enigmatic landscapes and atmospheres reminiscent of Giorgio De Chirico's metaphysical paintings, Zenith is a book that gets under one's skin and gets to the reader on a deeper, beyond rational level.--Publisher description

cover of Zenith

by Dalya Cohen-Mor (editor, translator)

Publication Date: 2005

Summary:

Consisting of sixty short stories by forty women writers from across the Arab world, this collection opens numerous windows onto Arab culture and society and offers keen insights into what Arab women feel and think. The stories deal not only with feminist issues but also with topics of a social, cultural, and political nature. Different styles and modes of writing are represented, along with a diversity of techniques and creative approaches, and the authors present many points of view and various ways of solving problems and confronting situations in everyday life. Lively, outspoken, and provocative, these stories are essential reading for anyone interested in the Arab world.

cover of Arab women writers : an anthology of short stories

by Izumi Suzuki ; translated by Polly Barton, Sam Bett, David Boyd, Daniel Joseph, Aiko Masubuchi, and Helen O'Horan.

Publication Date: 2021

Summary:

Seven punky and pitch-black stories offer English-language readers an overdue introduction to Izumi Suzuki, a cult figure in Japanese literature. The fissures in a queer matriarchal utopia are exposed when a boy - a creature usually contained in ghettoised isolation - appears beneath young Yūko's window; an extreme government initiative curbing overpopulation prompts a woman to re-evaluate her friendships; the last family in a desolate city learns to be human through the awkward appropriation of popular culture; passive-aggressive furniture provides unwelcome romantic advice; tense interplanetary politics distort Emma's love life; Jane's ex-girlfriend reppears, radically altered and insistent on a catch-up; Tokyo's teenagers, disaffected and numb from excessive screentime, find distraction in violence. Suzuki's singular slant on science fiction remains fresh and essential. Concerns about society, gender and imperialism dovetail irresistibly with flights of speculative wonder. And with a kitchen sink in the corner of even her wildest stories, Suzuki reminds us that while society may be limitless, relationships remain impossible. --

cover of Terminal boredom : stories

by Hanna Bervoets ; translated by Emma Rault.

Publication Date: 2023

Summary:

What is normal? What is right? And who gets to decide? To be a content moderator is to see humanity at its worst--but Kayleigh needs money. So she takes a job working for a social media platform whose name she isn't allowed to mention. Her task: review offensive videos and pictures, rants and conspiracy theories, and decide which need to be removed. It's grueling work. Kayleigh and her colleagues spend all day watching horrors and hate on their screens, evaluating them with the platform's ever-changing moderating guidelines. Yet Kayleigh is good at her job, and she finds in her colleagues a group of friends--even a new girlfriend--and for the first time in her life, her future seems bright. But soon the job seems to change them all, shifting their worlds in alarming ways. How long before the moderators' own senses of right and wrong begin to bend and flex? From one of the most acclaimed Dutch writers of her generation, We Had to Remove This Post is a chilling, powerful, and urgent literary masterpiece about who or what determines our worldview, who sets the boundaries, and just how much a person can be asked to accept.

cover of We had to remove this post

by Yamada Murasaki ; translated by Ryan Holmberg.

Publication Date: 2022

Summary:

"Set in an apartment complex on the outskirts of Tokyo, Murasaki Yamada's Talk to My Back (1981-84) explores the fraying of Japan's suburban middle-class dreams through a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant."--Amazon.

cover of Talk to my back

by Ocampo, Silvina.; Balderston, Daniel, 1952- translator.

Publication Date: 2015

Summary:

Thus Were Their Faces offers a comprehensive selection of the short fiction of Silvina Ocampo, undoubtedly one of the twentieth century's great masters of the story and the novella. Here are tales of doubles and impostors, angels and demons, a marble statue of a winged horse that speaks, a beautiful seer who writes the autobiography of her own death, a lapdog who records the dreams of an old woman, a suicidal romance, and much else that is incredible, mad, sublime, and delicious.

cover of Thus were their faces : stories

by Jan J. Dominique ; translated from the French by Emma Donovan Page.

Publication Date: 2021

Summary:

The daughter of Haitian journalist and pro-democracy activist Jean Léopold Dominique, who was assassinated in 2000, Jan J. Dominique offers a memoir that provides a uniquely personal perspective on the tumultuous end of the twentieth century in Haiti. Wandering Memory is her elegy for a father and an ode to a beloved, suffering homeland. The book charts the biographical, emotional, and literary journey of a woman moving from one place to another, attempting to return to her craft and put together the pieces of her life in the aftermath of family tragedy. Dominique writes eloquently about love, loss, and traumas both horrifically specific and tragically universal.

cover of Wandering memory

by Marylyn Myerscough and Charles Kelley (translators)

Publication Date: 2018

Summary:

This volume re-edits and expands a previous bilingual collection published in 1997. The first edition included stories by twelve writers: Pilar Cibreiro, Cristina Fernández Cubas, Paloma Díaz-Mas, Adelaida García Morales, Lourdes Ortiz, Laura Freixas, Marina Mayoral, Mercedes Abad, Rosa Montero, Maruja Torres, Soledad Puértolas and María Eugenia Salaverri. The present edition adds another four: Nuria Amat, Juana Salabert, Luisa Castro and Berta Marsé. The stories gathered in this second edition were written between 1980 and 2010, and testify to the richness and vitality of women's writing in contemporary Spain.

cover of Rainy days = Dias de Lluvia : short stories by contemporary Spanish women writers

by translated by Quan Manh Ha and Quynh H. Vo

Publication Date: 2024

Summary:

Longings brings together stories by both well-established and emerging Vietnamese writers, those who come from various regions in Vietnam and represent the diversity and richness in Vietnamese short fiction. This anthology expands the audience for deserving authors and broadens perspective on the heterogeneous voices, narrative styles, and thematic interests of women who contribute to the growing corpus of contemporary Vietnamese short fiction.

cover of Longings : contemporary fiction by Vietnamese women writers

by Magda Szabó; translated from the Hungarian by Len Rix.

Publication Date: 1987

Summary:

The Door is an unsettling exploration of the relationship between two very different women. Magda is a writer, educated, married to an academic, public-spirited, with an on-again-off-again relationship with Hungary's Communist authorities. Emerence is a peasant, illiterate, impassive, abrupt, seemingly ageless. She lives alone in a house that no one else may enter, not even her closest relatives. She is Magda's housekeeper and she has taken control over Magda's household, becoming indispensable to her. And Emerence, in her way, has come to depend on Magda. They share a kind of love--at least until Magda's long-sought success as a writer leads to a devastating revelation. Len Rix's prizewinning translation of The Door at last makes it possible for American readers to appreciate the masterwork of a major modern European writer.

cover of The door

by Trifonia Melibea Obono ; translated from the Spanish by Lawrence Schimel ; afterword by Abosede George.

Publication Date: 2018

Summary:

"The story of an orphan, Okomo, who lives with her grandmother and dreams of finding her father. She enlists the help of outcasts in the village including a gang of girls. She finds herself falling in love with the gang leader and rebelling against the norms of Fang culture."--

cover of La bastarda

by Cristina Rivera Garza ; translated from the Spanish by Sarah Booker.

Publication Date: 2020

Summary:

"'Grieving' is Cristina Rivera Garza's hybrid collection of short crónicas, journalism, and personal essays on systemic violence in contemporary Mexico and along the US-Mexico border. Drawing together horror theory and historical analysis, she outlines how neoliberalism, corruption, and drug trafficking--culminating in the misnamed 'war on drugs'--has shaped her country. Working from and against this political context, Rivera Garza posits that collective grief is an act of resistance against state violence, and that writing is a powerful mode of seeking social justice and embodying resilience."--

cover of Grieving : dispatches from a wounded country

by Yūko Tsushima ; translated from the Japanese by Geraldine Harcourt ; introduction by Lauren Groff.

Publication Date: 2022

Summary:

"Alone at dawn, in the heat of midsummer, a young woman named Takiko departs on foot for the hospital to give birth to a baby boy. Her pregnancy, the result of a casual affair with a married man, is a source of sorrow and shame to her abusive parents. For Takiko, however, it is a cause for reverie. Her baby, she imagines, will be hers and hers alone, a challenge but also an instrument for her long-wished-for independence. Takiko's first year as a mother is filled with the intense bodily pleasures and pains that come from caring for a newborn, learning how to accommodate him. At first Takiko seeks refuge in the company of other women, in the maternity hospital, in her son's nursery, but as he grows, her life becomes less circumscribed, expanding outward into previously unknown neighborhoods in her city and then beyond, into the countryside, toward a mountain that captures her imagination and feeling for a wilder freedom. First published in Japan in 1980, Woman Running in the Mountains is as urgent and necessary an account today of the experience of the female body and of a woman's right to self-determination."--

cover of Woman running in the mountains

by Marjane Satrapi ; [translation of first part, Mattias Ripa, translation of second part, Blake Ferris].

Publication Date: 2003

Summary:

"Originally published to wide critical acclaim in France, where it elicited comparisons to Art Spiegelman's Maus, Persepolis is Marjane Satrapi's wise, funny, and heartbreaking memoir of growing up in Iran during the Islamic Revolution. In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah's regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. The intelligent and outspoken only child of committed Marxists and the great-granddaughter of one of Iran's last emperors, Marjane bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran: of the bewildering contradictions between home life and public life and of the enormous toll repressive regimes exact on the individual spirit. Marjane's child's-eye-view of dethroned emperors, state-sanctioned whippings, and heroes of the revolution allows us to learn as she does the history of this fascinating country and of her own extraordinary family. Intensely personal, profoundly political, and wholly original, Persepolis is at once a story of growing up and a stunning reminder of the human cost of war and political repression. It shows how we carry on, through laughter and tears, in the face of absurdity. And, finally, it introduces us to an irresistible little girl with whom we cannot help but fall in love."--

cover of Persepolis : the story of a childhood

by H. Bolor-Erdene ; translated from the Mongolian by Simon Wickham-Smith

Publication Date: 2007

Summary:

"Haltarin Bolor- Erdene (b. 1975) was born in Ulaanbaatar and worked as a journalist on the city’s free newspapers until 2007, since when she has lived in Paris, France, with her family. She writes short stories and novellas and published her first novel, The Running Woman, in 2019. 'Room for Rent' is an example of how Mongolian literature is responding to the horror and supernatural genres. More than the unnamed student, it is perhaps the claustrophobia of the eponymous room that is the central character of this story."--Description from p. 261

cover of "Room for Rent" from Suncranes and Other Stories : Modern Mongolian short fiction

by Isabel Allende ; translated from the Spanish by Magda Bogin.

Publication Date: 1986

Summary:

The Trueba family embodies strong feelings from the beginning of the 20th century through the assassination of Allende in 1973.

cover of The house of the spirits

by Yoko Tawada ; translated from the German by Susan Bernofsky.

Publication Date: 2016

Summary:

"The Memoirs of a Polar Bear is a novel that stars three generations of talented writers and performers who happen to be polar bears. The Memoirs of a Polar Bear has in spades what Rivka Galchen hailed in The New Yorker as "Yoko Tawada's magnificent strangeness"--Tawada is an author like no other. Three generations (grandmother, mother, son) of polar bears are famous, both as circus performers and writers in East Germany: they are polar bears who move in human society, stars of the ring and of the literary world. In Chapter One, the grandmother matriarch in the Soviet Union accidentally writes a bestselling autobiography. In Chapter Two, Tosca, her daughter (born in Canada, where her mother had emigrated) moves to the DDR and takes a job in the circus. Her son--the last of their line--is Knut, born in Chapter Three in a Leipzig zoo, but raised by a human keeper in relatively happy circumstances in the Berlin zoo, until his keeper, Matthias, is taken away ... Happy or sad, each bear writes a story, enjoying both celebrity and "the intimacy of being alone with my pen.""--

cover of Memoirs of a polar bear

by Keum Suk Gendry-Kim ; translated by Janet Hong.

Publication Date: 2019

Summary:

"Grass is a powerful anti-war graphic novel, offering up firsthand the life story of a Korean girl named Okseon Lee who was forced into sexual slavery for the Japanese Imperial Army during the second World War - a disputed chapter in 20th century Asian history. Beginning in Lee's childhood, Grass shows the leadup to World War II from a child's vulnerable perspective, detailing how one person experienced the Japanese occupation and the widespread suffering it entailed for ordinary Korean folk. Keum Suk Gendry-Kim emphasizes Lee's strength in overcoming the many forms of adversity she experienced. Grass is painted in a black ink that flows with lavish details of the beautiful fields and farmland of Korea and uses heavy brushwork on the somber interiors of Lee's memories. The cartoonist Gendry-Kim's interviews with Lee become an integral part of Grass, forming the heart and architecture of this powerful nonfiction graphic novel and offering a holistic view of how Lee's wartime suffering changed her. Grass is a landmark graphic novel that makes personal the desperate cost of war and the importance of peace"--Provided by publisher.

cover of Grass

by Nayrouz Qarmout ; translated by Perween Richards ; title story translated by Charis Olszok

Publication Date: 2019

Summary:

Drawing from her own experiences growing up in a Syrian refugee camp, as well as her current life in Gaza, these stories stitch together a patchwork of different perspectives into what it means to be a woman in Palestine today. Whether following the daily struggles of orphaned children fighting to survive in the rubble of recent bombardments, or mapping the complex, cultural tensions between different generations of refugees in wider Gazan society, these stories offer rare insights into one of the most talked about, but least understood cities in the Middle East. Taken together, the collection affords us a local perspective on a global story, and it does so thanks to a cast of (predominantly female) characters whose vantage point is rooted, firmly, in that most cherished of things, the home.

cover of The sea cloak

by Laura Pérez ; translator, Andrea Rosenberg.

Publication Date: 2024

Summary:

This collection of graphic short stories explores the occult forces that touch upon our everyday lives. Within our visible world, there are hidden worlds full of unknown forces whose nature we cannot fathom. Ocultos swirls together a series of stories that form a bridge between our world to the next, where thoughts and dreams can bend and shape reality. A woman in therapy is haunted by disturbing visions; a lonely widower feels a presence wafting through her house; a little boy sees bright red lights flash across the night sky. Vivid dreams, poignant symbols, fleeting sensations --all clues that point to an understanding of what lies beyond. Celebrated for her previous graphic novel, Totem, Spanish comics artist Laura Pérez presents another vision of magic and mystery. --From publisher's description.

cover of Ocultos

by Tove Jansson ; translated from the Swedish by Thomas Teal ; introduction by Kathryn Davis.

Publication Date: 2008

Summary:

"This brief novel tells the story of Sophia, a six-year-old girl awakening to existence, and Sophia's grandmother, nearing the end of hers, as they spend the summer on a tiny unspoiled island in the Gulf of Finland."--Publisher's description.

cover of The summer book

by Yung-Hee Kim (translator)

Publication Date: 2009

Summary:

Available for the first time in English, the ten short stories by modern Korean women collected here touch in one way or another on issues related to gender and kinship politics. All of the protagonists are women who face personal crises or defining moments in their lives as gender-marked beings in a Confucian, patriarchal Korean society. Their personal dreams and values have been compromised by gender expectations or their own illusions about female existence. They are compelled to ask themselves "Who am I?" "Where am I going?" "What are my choices?" Each story bears colorful and compelling testimony to the life of the heroine.

cover of Questioning Minds : Short Stories by Modern Korean Women Writers.

by Forough Farrokhzad ; translated from the Persian by Elizabeth T. Gray, Jr.

Publication Date: 2022

Summary:

In the years since her tragic death in a car accident at age thirty-two in 1967, Forough Farrokhzad has become a poet as iconic and influential as Lorca or Akhmatova, celebrated as a pioneer of modernist Iranian literature and as a leading figure of contemporary world literature. Farrokhzad, as Elizabeth Gray writes in the preface, "remains a beacon to artists, especially women and marginalized artists, who seek freedom in all its forms." This thoughtfully curated, deftly translated selection of Farrokhzad's poems includes work from her whole writing life, early to late. Readers will thoroughly treasure this expansive poet of the quotidian; of longing, loss, and desire; of classical reinvention; of lexical variation and sonic beauty; of terrifying wisdom, hope, and grief.

cover of Let us believe in the beginning of the cold season : selected poems

by Clarice Lispector ; translated from the Portuguese by Katrina Dodson

Publication Date: 2018

Summary:

Here, gathered in one volume, are the stories that made Clarice a Brazilian legend. Originally a cloth edition of eighty-six stories, now we have eighty- nine in all, covering her whole amazing career, from her teenage years to her deathbed. In these pages, we meet teenagers becoming aware of their sexual and artistic powers, humdrum housewives whose lives are shattered by unexpected epiphanies, old people who don't know what to do with themselves-- and in their stories, Clarice takes us through their lives--and hers--and ours.

cover of The complete stories

by Marlen Haushofer ; translated from the German by Shaun Whiteside.

Publication Date: 1968

Summary:

While vacationing in a hunting lodge in the Austrian mountains, a middle-aged woman awakens one morning to find herself separated from the rest of the world by an invisible wall. With a cat, a dog, and a cow as her sole companions, she learns how to survive and cope with her loneliness. Allegorical yet deeply personal and absorbing, The Wall is at once a critique of modern civilization, a nuanced and loving portrait of a relationship between a woman and her animals, a thrilling survival story, a Cold War-era dystopian adventure, and a truly singular feminist classic.

cover of The wall

by Yang, Shuangzi, 1984- author.; King, Lin, 1993- translator.

Publication Date: 2024

Summary:

May 1938. The young novelist Aoyama Chizuko has sailed from her home in Nagasaki, Japan, and arrived in Taiwan. She's been invited there by the Japanese government ruling the island, though she has no interest in their official banquets or imperialist agenda. Instead, Chizuko longs to experience real island life and to taste as much of its authentic cuisine as her famously monstrous appetite can bear. Soon a Taiwanese woman -- who is younger even than she is, and who shares the characters of her name -- is hired as her interpreter and makes her dreams come true. The charming, erudite, meticulous Chizuru arranges Chizuko's travels all over the Land of the South and also proves to be an exceptional cook. Over scenic train rides and braised pork rice, lively banter and winter melon tea, Chizuko grows infatuated with her companion and intent on drawing her closer. But something causes Chizuru to keep her distance. It's only after a heartbreaking separation that Chizuko begins to grasp what the something is. Disguised as a translation of a rediscovered text by a Japanese writer, this novel was a sensation on its first publication in Mandarin Chinese in 2020 and won Taiwan's highest literary honor, the Golden Tripod Award. Taiwan Travelogue unburies lost colonial histories and deftly reveals how power dynamics inflect our most intimate relationships--

cover of Taiwan travelogue : a novel

by Nuala Ní Dhomhnaill; translations into English by Medbh McGuckian and Eiléan Ní Chuilleanáin

Publication Date: 1999

Summary:

The Water Horse includes a selection of poems from Nuala Ní Dhomhnaill's prize-winning collections, Feis (1991) and Cead Aighnis (1998), with facing translations into English by the award-winning poets, Medbh McGuckian and Eiléan Ní Chuilleanáin. In this work - characteristically rich in folklore and myth and courageous in its treatment of psychological states - versions of the natural and supernatural worlds coalesce.

cover of The water horse

by Tatyana Tolstaya ; translated from the Russian by Jamey Gambrell.

Publication Date: 2003

Summary:

Two hundred years after civilization ended in an event known as the Blast, Benedikt isn't one to complain. He's got a job--transcribing old books and presenting them as the words of the great new leader, Fyodor Kuzmich, Glorybe--and though he doesn't enjoy the privileged status of a Murza, at least he's not a serf or a half-human four-legged Degenerator harnessed to a troika. He has a house, too, with enough mice to cook up a tasty meal, and he's happily free of mutations: no extra fingers, no gills, no cockscombs sprouting from his eyelids. And he's managed--at least so far--to steer clear of the ever-vigilant Saniturions, who track down anyone who manifests the slightest sign of Freethinking, and the legendary screeching Slynx that waits in the wilderness beyond.

cover of The slynx

by Tregebov, Rhea, 1953-

Publication Date: 2008

Summary:

From the shtetl to the New World, from failed revolutions in tsarist Russia to the Holocaust, these Yiddish tales illuminate a lost world from a woman's distinctive perspective. For decades, stories by Yiddish women writers were available only to those who spoke the mother tongue of Eastern European Jews. This translation brings some of the lost women writers of the golden age of Yiddish to English-speaking readers. Their stories range from the wryly humorous--a girl seeking a wet nurse for her cousin brings him to a shiksa, with dire consequences--to the bittersweet, as a once-idealistic revolutionary now sees her hopes for humanity as fantasy. The title is from a poem that describes a widow arguing with a storm that threatens her harvest. It is a metaphor for the Holocaust, whose dark cloud was rising. Arguing with the Storm is a joy to read and a tribute to all those women, who, in arguing with the storm, fought to protect their families and way of life.

cover of Arguing with the storm : stories by Yiddish women writers

by Yoko Ogawa ; translated from the Japanese by Stephen Snyder.

Publication Date: 1994

Summary:

On an unnamed island off an unnamed coast, objects are disappearing: first hats, then ribbons, birds, roses--until things become much more serious. Most of the island's inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten. When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards. As fear and loss close in around them, they cling to her writing as the last way of preserving the past. A surreal, provocative fable about the power of memory and the trauma of loss, The Memory Police is a stunning new work from one of the most exciting contemporary authors writing in any language.

cover of The memory police

by Rosenfeld, Adèle, 1986- author.; Zuckerman, Jeffrey, 1987- translator.

Publication Date: 2024

Summary:

Ever since she was a child, Louise has been not quite hearing and not quite deaf. After an audiology test shows that almost all her hearing is gone, her doctor suggests a cochlear implant. This irreversible operation would give Louise a new sense of hearing, but it would come at the expense of her natural hearing, which has shaped her relationship with the world, full of whispers and shadows. --

cover of Jellyfish have no ears : a novel

by Sei Shōnagon; translated from the Japanese by Ivan Morris.

Publication Date: 1002

Summary:

Written by the court gentlewoman Sei Shonagon, ostensibly for her own amusement, The Pillow Book offers a fascinating exploration of life among the nobility at the height of the Heian period, describing the exquisite pleasures of a confined world in which poetry, love, fashion, and whim dominated, while harsh reality was kept firmly at a distance. Moving elegantly across a wide range of themes including nature, society, and her own flirtations, Sei Shonagon provides a witty and intimate window on a woman's life at court in classical Japan.

cover of The pillow book of Sei Shōnagon

by Xiao Hong ; translated from the Chinese by Howard Goldblatt.

Publication Date: 1936

Summary:

"As a work of literature, Market Street rivals many of the most compelling creations of this and other periods of Chinese history in terms of its evocative power, universal accessibility, and rhetorical skill. As autobiography, it reveals the life and the general world view of a representative Chinese intellectual, a woman living in a male-oriented and male-dominated society in the chaotic period just prior to World War II. It describes a young woman's attempt to come to grips with the realities of her own life, thereby legitimizing her past to understand her present. Market Street is, in sum, literary autobiography at its finest."--Description from p. xix

cover of Market Street : A Chinese Woman in Harbin

by Sara Uribe ; translation by John Pluecker.

Publication Date: 2016

Summary:

"'Antígona González' is the story of the search for a body, a specific body, one of the thousands of bodies lost in the war against drug trafficking that began more than a decade ago in Mexico. A woman, Antígona González, attempts to narrate the disappearance of Tadeo, her elder brother. She searches for her brother among the dead. San Fernando, Tamaulipas, appears to be the end of her search"--

cover of Antígona González

by Hellewell, Olivia, translator.; Firth, Will, editor, translator.

Publication Date: 2023

cover of Take six : six Balkan women writers

by Dahlia de la Cerda ; translated by Heather Cleary and Julia Sanches.

Publication Date: 2024

Summary:

"Reservoir Bitches is a debut collection of thirteen linked stories about Mexican women who fight, skirt, cheat, cry, kill, and lie their way to survival, from the all-powerful daughter of a cartel boss to a victim of transfemicide"--

cover of Reservoir bitches : stories

by Aoko Matsuda ; translated from the Japanese by Polly Barton.

Publication Date: 2020

Summary:

"In this witty and exuberant collection of linked stories, Aoko Matsuda takes the rich, millenia-old tradition of Japanese folktales-shapeshifting wives and foxes, magical trees and wells-and wholly reinvents them, presenting a world in which humans are consoled, guided, challenged, and transformed by the only sometimes visible forces that surround them. A busybody aunt who disapproves of hair removal; a pair of door-to-door saleswomen hawking portable lanterns; a cheerful lover who visits every night to take a luxurious bath; a silent house-caller who babysits and cleans while a single mother is out working. Where the Wild Ladies Are is populated by these and many other spirited women-who also happen to be ghosts. This is a realm in which jealousy, stubbornness, and other excessive "feminine" passions are not to be feared or suppressed, but rather cultivated; and, chances are, a man named Mr. Tei will notice your talents and recruit you, dead or alive (preferably dead), to join his mysterious company."--

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by Elsa Morante ; translated from the Italian by Jenny McPhee.

Publication Date: 1948

Summary:

Elsa Morante is one of the titans of twentieth-century literature—Natalia Ginzburg said she was the writer of her own generation that she most admired—and yet her work remains little known in the United States. Written during World War II, Morante’s celebrated first novel, Lies and Sorcery, is in the grand tradition of Stendhal, Tolstoy, and Proust, spanning the lives of three generations of wildly eccentric women. The story is set in Sicily and told by Elisa, orphaned young and raised by a “fallen woman.” For years Elisa has lived in an imaginary world of her own; now, however, her guardian has died, and the young woman feels that she must abandon her fantasy life to confront the truth of her family’s tortured and dramatic history. Elisa is a seductive, if less than reliable, spinner of stories, and the reader is drawn into a tale of secrets, intrigue, and treachery, which, as it proceeds, is increasingly revealed to be an exploration of a legacy of political and social injustice. Throughout, Morante’s elegant writing—and her drive to get at the heart of her characters’ complex relationships and all-too self-destructive behavior—holds us spellbound.

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by Marguerite Abouet & Clément Oubrerie.

Publication Date: 2007

Summary:

Aya tells the story of the studious and clear-sighted young woman, her easy-going friends Adjuoa and Bintou, and their meddling relatives and neighbors in the golden time of the Ivory Coast in 1978.

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by Yásnaya Elena A. Gil ; translated by Ellen Jones ; originally compiled by Ana Aguilar Guevara, Julia Bravo Varela, Gustavo Ogarrio Badillo and Valentina Quaresma Rodríguez.

Publication Date: 2024

Summary:

"A warm, witty, passionate cry for living, vital, indigenous languages and the people who speak them. Despite the more than 200 Indigenous languages spoken in Mexico, including 63 that are officially recognized and celebrated by the Mexican government, linguistic diversity is and has been under attack in a larger culture that says bilingual is good when it means Spanish and English, but bad when it means Nahuatl and Spanish. Y snaya Aguilar, a linguist and native Mixe speaker, asks what is lost, for everyone, when the contradictions inherent in Mexico's relationship with its many Indigenous languages mean official protection and actual contempt at worst, and ignorance at best. What does it mean to have a prize for Indigenous literature when different Indigenous languages are as far from each other as they are from Japanese? What impact does considering Tzotzil 'cultural heritage' have on our idea of it, when it is still being used, and refreshed, and changed (like every other language) today? How does the idea of Indigeneity stand up, when you consider Indigenous peoples outside of the frame of colonialism?Personal, anecdotal, and full of vivid examples, Aguilar does more than advocate for the importance of resistance by native peoples: she offers everyone the opportunity to value and enjoy a world in which culture, language, and community is delighted in, not flattened. 'We have sacrificed Mexico in favor of creating the idea of Mexico' she says. This Mouth Is Mine is an invitation to take it back" --

cover of This mouth is mine

by Scholastique Mukasonga ; translated from the French by Melanie Mauthner.

Publication Date: 2012

Summary:

Parents send their daughters to Our Lady of the Nile to be moulded into respectable citizens, and to protect them from the dangers of the outside world. The young ladies are expected to learn, eat, and live together, presided over by the colonial white nuns. It is fifteen years prior to the 1994 Rwandan genocide and a quota permits only two Tutsi students for every twenty pupils. As Gloriosa, the school's Hutu queen bee, tries on her parents' preconceptions and prejudices, Veronica and Virginia, both Tutsis, are determined to find a place for themselves and their history. In the struggle for power and acceptance, the lycée is transformed into a microcosm of the country's mounting racial tensions and violence. During the interminable rainy season, everything slowly unfolds behind the school's closed doors: friendship, curiosity, fear, deceit, and persecution. Our Lady of the Nile is a landmark novel about a country divided and a society hurtling towards horror. In gorgeous and devastating prose, Mukasonga captures the dreams, ambitions and prejudices of young women growing up as their country falls apart.

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by Valeria Luiselli ; translation, Christina MacSweeney.

Publication Date: 2015

Summary:

"Bon vivant, world traveler, auctioneer-the story of Highway and his teeth is like Johnny Cash meets Robert Walser in Mexico"--

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by Kuniko Tsurita ; translated by Ryan Holmberg ; edited with an essay by Ryan Holmberg and Mitsuhiro Asakawa.

Publication Date: 2020

Summary:

The Sky is Blue with a Single Cloud' collects the best short stories from Kuniko Tsurita's remarkable career. While the works of her male peers in literary manga are widely reprinted, this formally ambitious and poetic female voice is like none other currently available to an English readership. A master of the comics form, expert pacing and compositions combined with bold characters are signature qualities of Tsurita's work. Tsurita's early stories 'Nonsense' and 'Anti' provide a unique, intimate perspective on the bohemian culture and political heat of late 1960s and early 70's Tokyo. Her work gradually became darker and more surreal under the influence of modern French literature and her own prematurely failing health [lupus]. As in works like 'The Sky Is Blue with a Single Cloud' and 'Max', the gender of many of Tsurita's strong and sensual protagonists is ambiguous, marking an early exploration of gender fluidity. Late stories like 'Arctic Cold' and 'Flight' show the artist experimenting with more conventional narrative modes, though with dystopian themes that extend the philosophical interests of her early work. An exciting and essential gekiga collection, 'The Sky Is Blue with a Single Cloud' is translated by comics scholar Ryan Holmberg and includes an afterword cowritten by Holmberg and the manga editor Mitsuhiro Asakawa delineating Tsurita's importance and historical relevance.

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by Elvira Navarro ; translated from the Spanish by Christina MacSweeney.

Publication Date: 2020

Summary:

"Combining the gritty surrealism of David Lynch with the explosive interior meditations of Clarice Lispector, the stories in Elvira Navarro's Rabbit Island traverse the fickle, often terrifying terrain between madness and freedom. In the title story, a so-called "non-inventor" conducts an experiment on an island inhabited exclusively by birds and is horrified by what the results portend. "Myotragus" bears witness to a man of privilege's understanding of the world being violently disrupted by the sight of a creature long thought extinct. Elsewhere in these stories that map dingy hotel rooms, shape-shifting cities, and graveyards, an unsightly "paw" grows from a writer's earlobe and a grandmother floats silently in the corner of a room."--

cover of Rabbit Island : stories

by Eileen Chang ; translated by Karen Kingsbury and Eileen Chang.

Publication Date: 2007

Summary:

Collects six tales of love, longing, and the shifting and endlessly treacherous shoals of family life.

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by Nathalie Léger ; translated from the French by Cécile Menon

Publication Date: 2012

Summary:

"I believe there is a miracle in Wanda," wrote Marguerite Duras of the only film American actress Barbara Loden ever wrote and directed. "Usually, there is a distance between representation and text, subject and action. Here that distance is completely eradicated." It is perhaps this "miracle"--the seeming collapse of fiction and fact--that has made Wanda (1970) a cult classic, and a fascination of artists from Isabelle Huppert to Rachel Kushner to Kate Zambreno. For acclaimed French writer Nathalie Léger, the mysteries of Wanda launched an obsessive quest across continents, into archives, and through mining towns of Pennsylvania, all to get closer to the film and its maker. Suite for Barbara Loden is the magnificent result.

cover of Suite for Barbara Loden.

by Szymborska, Wisława, author.; Cavanagh, Clare, editor, translator.

Publication Date: 2021

Summary:

In this witty how-to guide, Wisława Szymborska has nothing but sympathy for the labors of would-be writers generally: I myself started out with rotten poetry and stories, she confesses in this collection of pieces culled from the advice she gave-anonymously-for many years in the well-known Polish journal Literary Life. She returns time and again to the mundane business of writing poetry properly, that is to say, painstakingly and sparingly. I sigh to be a poet, Miss A. P. from Bialogard exclaims. I groan to be an editor, Szymborska responds. Szymborska stubbornly insists on poetry's prosaic side: Let's take the wings off and try writing on foot, shall we? This delightful compilation, translated by the peerless Clare Cavanagh, will delight readers and writers alike--

cover of How to start writing (and when to stop) : advice for authors

by Hoda Barakat ; translated from the Arabic by Marilyn Booth.

Publication Date: 2021

Summary:

This profound and disturbing novel by acclaimed Lebanese author Hoda Barakat tells the story of characters living on the periphery, battling with poverty, and fighting their own demons. Set in an unnamed, war-torn country, the novel consists of six letters-all intercepted by unintended recipients, all of whom are compelled to write their own letters of confession. An undocumented immigrant writes his former lover. A woman in a hotel writes a man from her past. An escaped torturer recounts his crimes to his mother. A former prostitute writes to her brother. A young queer man recounts to his estranged father his partner's battle with AIDS. Finally, the mailman leaves his own note. Incisive, troubling and deeply human, this is an urgent story of lives intimately woven together in a society that is tearing itself apart.

cover of Voices of the lost : a novel

by Fernanda Melchor ; translated from the Spanish by Sophie Hughes.

Publication Date: 2020

Summary:

"The Witch is dead. And the discovery of her corpse-by a group of children playing near the irrigation canals-propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village. Like Roberto Bolaño's 2666 or Faulkner's greatest novels, Hurricane Season takes place in a world filled with mythology and violence-real violence, the kind that seeps into the soil, poisoning everything around: it's a world that becomes more terrifying and more terrifyingly real the deeper you explore it"--

cover of Hurricane season

by Toledo Paz, Natalia, 1967- author.; Toledo Paz, Natalia, 1967-; Sullivan, Clare E., 1967- translator.; Phoneme Media, publisher.

Publication Date: 2015

Summary:

Natalia Toledo's The Black Flower and Other Zapotec Poems, with an award-winning translation by Clare Sullivan, describes contemporary Isthmus Zapotec life in lush, sensual detail. In Toledo's poems of love and loss the world's population turns into fish, death is a cricket, and naked women are made of wet magma. The Black Flower won the Nezhualcóyotl Prize, Mexico's highest honor for indigenous-language literature, in 2004.--Cover.

cover of The black flower and other Zapotec poems

by Camila Sosa Villada ; translated from the Spanish by Kit Maude.

Publication Date: 2022

Summary:

"Gritty and unflinching, yet also tender, fantastical, and funny, a trans woman's coming-of-age tale about finding a community among fellow outcasts. Born in the small Argentine town of Mina Clavero, Camila is designated male but begins to identify from an early age as a girl. She is well aware that she's different from other children and reacts to her oppressive, poverty-stricken home life, with a cowed mother and abusive, alcoholic father, by acting out--with swift consequences. Deeply intelligent, she eventually leaves for the city to attend university, slipping into prostitution to make ends meet. And in Sarmiento Park, in the heart of Córdoba, she discovers the strange, wonderful world of the trans sex workers who dwell there. Taken under the wing of Auntie Encarna, the 178-year-old eternal whose house shelters this unconventional extended family, Camila becomes a part of their stories-of a Headless Man who fled his country's wars, a mute young woman who transforms into a bird, an abandoned baby boy who brings a twinkle to your eye. Camila Sosa Villada's extraordinary first novel is a rich, nuanced portrait of a marginalized community: their romantic relationships, friendships and squabbles, difficulties at work, aspirations and disappointments. It bears witness to these lives constantly haunted by the specter of death--by disease or more violent means at the hands of customers, boyfriends, or the police--yet full of passion, empathy, and insight." --

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by edited by Haifa Zangana ; translated from the original Arabic by Salam Darwazah Mir.

Publication Date: 2021

Summary:

In a first, nine politically-diverse women, former Palestinian political prisoners, sat around a table in a small room in Ramallah, in the occupied West Bank, to share their stories of incarceration. These non-writers learnt to express the reality of their time in prison, of the separation from their children, of the endless struggle against Israeli occupation, to produce heartfelt narrative that go beyond simply recalling the details of their sentence or revisiting their trauma. Instead, this unique volume transforms their experiences of the self, giving readers an "exceptional" insight into an almost unknown women's world, of life and love behind bars and beyond.

cover of A party for Thaera : Palestinian women write life in prison

by Ravn, Olga, author.; Aitken, Martin, translator.

Publication Date: 2022

Summary:

Funny and doom-drenched, The Employees chronicles the fate of the Six-Thousand Ship. The human and humanoid crew members complain about their daily tasks in a series of staff reports and memos. When the ship takes on a number of strange objects from the planet New Discovery, the crew becomes strangely and deeply attached to them, even as tensions boil toward mutiny, especially among the humanoids. Olga Ravn's prose is chilling, crackling, exhilarating, and foreboding. The Employees probes into what makes us human, while delivering a hilariously stinging critique of life governed by the logic of productivity--

cover of The employees : a workplace novel of the 22nd century

by Teffi ; translated from the Russian by Robert and Elizabeth Chandler, Rose France, and Anne Marie Jackson.

Publication Date: 2016

Summary:

Early in her literary career Nadezhda Lokhvitskaya, born in St. Petersburg in 1872, adopted the pen name of Teffi, and it is as Teffi that she is remembered. In pre-Revolutionary Russia she was a literary star, known for her humorous satirical pieces; in the 1920s and '30s, she wrote some of her finest stories while in exile in Paris, recalling her unforgettable encounters with Rasputin and her hopeful visit at age thirteen to Tolstoy after reading War and peace. In this selection of her best autobiographical stories, she covers a wide range of subjects, from family life to revolution and emigration, writers and writing....

cover of Tolstoy, Rasputin, others, and me : the best of Teffi

by Solà, Irene, 1990- author.; Lethem, Mara, translator.

Publication Date: 2025

Summary:

Dawn is breaking over the Guilleries, a rugged mountain range in Catalonia frequented by wolf hunters, brigands, deserters, race-car drivers, ghosts, and demons. In a remote farmhouse called Mas Clavell, an impossibly old woman lies on her deathbed. Family and caretakers drift in and out. Meanwhile, all the women who have lived and died in that house are waiting for her to join them. They are preparing to throw her a party. As day turns to night, four hundred years' worth of stories unspool, and the house reverberates with raucous laughter, pungent feasts, and piercing cries of pleasure and pain. It all begins with Joana, Mas Clavell's matriarch, who once longed for a husband-a full man, perhaps even an heir with a patch of land and a roof over his head. She summoned the devil to fulfill her wish and struck a deal: a man in exchange for her soul. But when, on her wedding day, Joana discovered that her husband was missing a toe (eaten by wolves), she exploited a loophole in her agreement, heedless of what consequences might follow. I Gave You Eyes and You Looked Toward Darkness is an audacious and entrancing novel in which the lines between the dead and the living, past and present, story and history are blurred. In it, Irene Solà draws on oral tradition as well as art, literature, and fairy tales to tell a completely new kind of story.--

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by Nona Fernández ; translated from the Spanish by Natasha Wimmer.

Publication Date: 2019

Summary:

"Space Invaders is the story of a group of childhood friends who, in adulthood, are preoccupied by uneasy memories and visions of their classmate Estrella González Jepsen. In their dreams, they catch glimpses of Estrella's braids, hear echoes of her voice, and read old letters that eventually, mysteriously, stopped arriving. They recall regimented school assemblies, nationalistic class performances, and a trip to the beach. Soon it becomes clear that Estrella's father was a ranking government officer implicated in the violent crimes of the Pinochet regime, and the question of what became of her after she left school haunts her erstwhile friends. Growing up, these friends--from her pen pal, Maldonado, to her crush, Riquelme--were old enough to sense the danger and tension that surrounded them, but were powerless in the face of it. They could control only the stories they told one another and the 'ghostly green bullets' they fired in the video game they played obsessively."--

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