Celebrating Arab American Heritage Month

Summary:

Palestine, 1990. Seventeen-year-old Isra prefers reading books to entertaining the suitors her father has chosen for her. Over the course of a week, the naïve and dreamy girl finds herself quickly betrothed and married, and is soon living in Brooklyn. There Isra struggles to adapt to the expectations of her oppressive mother-in-law Fareeda and strange new husband Adam, a pressure that intensifies as she begins to have children -- four daughters instead of the sons Fareeda tells Isra she must bear. Brooklyn, 2008. Eighteen-year-old Deya, Isra's oldest daughter, must meet with potential husbands at her grandmother Fareeda's insistence, though her only desire is to go to college. Deya can't help but wonder if her options would have been different had her parents survived the car crash that killed them when Deya was only eight. But her grandmother is firm on the matter: the only way to secure a worthy future for Deya is through marriage to the right man. But fate has a will of its own, and soon Deya will find herself on an unexpected path that leads her to shocking truths about her family -- knowledge that will force her to question everything she thought she knew about her parents, the past, and her own future. Set in an America at once foreign to many and staggeringly close at hand, A Woman Is No Man is a story of culture and honor, secrets and betrayals, love and violence. It is an intimate glimpse into a controlling and closed cultural world, and a universal tale about family and the ways silence and shame can destroy those we have sworn to protect.--

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The acclaimed, award-winning novelist--author of The Moor's Account and The Other Americans--now gives us a bracingly personal work of nonfiction that is concerned with the experiences of 'conditional citizens.' What does it mean to be American? In this starkly illuminating and impassioned book, Pulitzer Prize Finalist Laila Lalami recounts her unlikely journey from Moroccan immigrant to U.S. citizen, using it as a starting point for her exploration of the rights, liberties, and protections that are traditionally associated with American citizenship. Tapping into history, politics, and literature, she elucidates how accidents of birth--such as national origin, race, or gender--that once determined the boundaries of Americanness still cast their shadows today. Throughout the book, she poignantly illustrates how white supremacy survives through adaptation and legislation, with the result that a caste system is maintained, keeping the modern equivalent of white male landowners at the top of the social hierarchy. Conditional citizens, she argues, are all the people whom America embraces with one arm, and pushes away with the other. Brilliantly argued and deeply personal, Conditional Citizens weaves together the author's own experiences with explorations of the place of nonwhites in the broader American culture. --Provided by publisher.

Summary:

In Girls That Never Die, award-winning poet Safia Elhillo reinvents the epic to explore Muslim girlhood and shame, the dangers of being a woman, and the myriad violences enacted and imagined against women's bodies. Drawing from her own life and family histories, as well as cultural myths and news stories about honor killings and genital mutilation, she interlaces the everyday traumas of growing up a girl under patriarchy with magical realist imaginings of rebellion, autonomy, and power. Elhillo writes a new world: women escape their stonings by birds that carry the rocks away; slain girls grow into two, like the hydra of lore, sprouting too numerous to ever be eradicated; circles of women are deemed holy, protected. Ultimately, Girls That Never Die is about wrestling ourselves from the threats of violence that constrain our lives, and instead looking to freedom and questioning: [what if i will not die] [what will govern me then]--

Summary:

A rollercoaster ride of a memoir, by turns hilarious and heartbreaking, by the journalist, playwright, and political activist Wajahat Ali. Go back to where you came from, you terrorist! This is just one of the many warm, lovely, and helpful tips that Wajahat Ali and other children of immigrants receive on a daily basis. Go back where exactly? His hometown in the San Francisco Bay Area, where he can't afford rent? Awkward, left-handed, suffering from OCD, and wearing Husky pants, Ali grew up on the margins of the American mainstream, devoid of Brown superheroes, where people like him were portrayed as goofy sidekicks, shop owners with funny accents, sweaty terrorists, or aspiring sweaty terrorists. Driven by his desire to expand the American narrative to include protagonists who look like him, he became a writer, and in the aftermath of the 9/11 terror attacks, an accidental activist and ambassador of all things Muslim-y. He uses his pen with turmeric-stained fingernails to fill in missing narratives, challenge the powerful, and booby trap racist stereotypes. In his bold, hopeful and hilarious memoir, Ali offers indispensable lessons and strategies to help cultivate a more compassionate America--

Summary:

Huda and her family just moved to Dearborn, Michigan, a small town with a big Muslim population. In her old town, Huda knew exactly who she was: She was the hijabi girl. But in Dearborn, everyone is the hijabi girl. Huda is lost in a sea of hijabis, and she can't rely on her hijab to define her anymore. She has to define herself. So she tries on a bunch of cliques, but she isn't a hijabi fashionista or a hijabi athlete or a hijabi gamer. She's not the one who knows everything about her religion or the one all the guys like. She's miscellaneous, which makes her feel like no one at all. Until she realizes that it'll take finding out who she isn't to figure out who she is. --

Summary:

Every time violence erupts in the Middle East, Ida knows what's coming next. Some of her classmates treat her like it's all her fault -- just for being Palestinian! In eighth grade, Ida is forced to move to a different school. But people still treat her like she'll never fit in. Ida wishes she could disappear. One day, dreading a final class project, Ida hunts for food. She discovers a jar of olives that came from a beloved aunt in her family's village near Jerusalem. Ida eats one and finds herself there -- as if her parents had never left Palestine! Things are different in this other reality -- harder in many ways, but also strangely familiar and comforting. Now she has to make some tough choices. Which Ida would she rather be? How can she find her place? Ida's dilemma becomes more frightening as the day approaches when Israeli bulldozers are coming to demolish another home in her family's village...--

Summary:

An intimate graphic memoir about an American girl growing up with her Egyptian father's new family, forging unexpected bonds and navigating adolescence in an unfamiliar country.--

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Randa Jarrar is a fearless voice of dissent who has been called 'politically incorrect' (Michelle Goldberg, The New York Times). As an American raised in Kuwait and Egypt, and finding herself captivated by the story of a celebrated Egyptian belly dancer's journey across the United States in the 1940s, she sets off from her home in California to her parents' near New York. Coloring this road trip are journeys abroad and recollections of a life lived with daring. Reclaiming her autonomy after a life of survival--abuse as a child, and later, as a wife; threats and doxxing after her viral tweet about Barbara Bush--Jarrar offers a bold look at domestic violence, single motherhood, and sexuality through the lens of the punished yet triumphant body. On the way, she schools a rest-stop racist, destroys Confederate flags in the desert, and visits the Chicago neighborhood where her immigrant parents first lived. With a new introduction, an additional essay that explores maternal lineages, and afternote reflections on Jarrar's own experiences in front of the camera, Love is an Ex-Country continues to reverberate magic--Back cover.

Summary:

From a dazzling new literary voice, a debut novel about a Palestinian family caught between present and past, between displacement and home ... On the eve of her daughter Alia's wedding, Salma reads the girl's future in a cup of coffee dregs. She sees an unsettled life for Alia and her children; she also sees travel, and luck. While she chooses to keep her predictions to herself that day, they will all soon come to pass when the family is up rooted in the wake of the Six-Day War of 1967. Salma is forced to leave her home in Nablus; Alia's brother gets pulled into a politically militarized world he can't escape; and Alia and her gentle-spirited husband move to Kuwait City, where they reluctantly build a life with their three children. When Saddam Hussein invades Kuwait in 1990, Alia and her family once again lose their home, their land, and their story as they know it, scattering to Beirut, Paris, Boston, and beyond. Soon Alia's children begin families of their own, once again navigating the burdens (and blessings) of assimilation in foreign cities. Lyrical and heartbreaking, Salt Houses is a remarkable debut novel that challenges and humanizes an age-old conflict we might think we understand--one that asks us to confront that most devastating of all truths: you can't go home again--

Summary:

A new volume of aphoristic prose and philosophical poetry from Etel Adnan, whose work The New York Times recently described as the meditative heir to Nietzsche's aphorisms, Rilke's Book of Hours and the verses of Sufi mysticism. She writes: Reality is messianic/ apocalyptic/ my soul is my terror.

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Kanzi's family has moved from Egypt to America, and she wants very much to fit in. Maybe that's why, on her first day in her new school, she forgets to take the kofta sandwich her mother made for her lunch, but that backfires when Mama shows up at school with the sandwich. Mama wears a hijab and calls her daughter Habibti (dear one). When she leaves, the teasing starts. That night, Kanzi wraps herself in the beautiful Arabic quilt her teita (grandmother) gave her. It smells like Teita's home in Cairo, and that comforts Kanzi. What she doesn't know yet is that the quilt will help her find new friends. --

Summary:

Nora Guerraoui, a jazz composer, returns home to a small town in the Mojave after hearing that her father, owner of a popular restaurant there, has been killed in a suspicious hit-and-run car accident. Nora develops an intimacy with Jeremy, an Iraq war veteran. Along with the widow Maryam; Efrain, an immigrant witness to the accident; Coleman, the police investigator, and Driss--the dead man himself-- Nora explores secrets and hypocrisies in a society riven by race, class, and religion. -- adapted from jacket

Summary:

A young, queer Palestinian American woman pieces together her great aunt's secrets in this sweeping debut, a family saga confronting questions of sexual identity, exile, and lineage. In a Pacific Northwest hospital far from the Rummani family's ancestral home in Palestine, the heart of a stillborn baby begins to beat and her skin turns a vibrant, permanent cobalt blue. On the same day, the Rummanis' centuries-old soap factory in Nablus is destroyed in an air strike. The family matriarch and keeper of all Rummani lore, Aunt Nuha, believes that the blue girl embodies their sacred history, harkening to a time when the Rummanis were among the wealthiest soap-makers and their blue soap was a symbol of a legendary love. Decades later, Betty returns to her Aunt Nuha's gravestone, faced with a difficult decision: Should she stay in the only country she's every known or should she follow her heart for the woman she loves, perpetuating her family's cycle of exile? Betty finds her answer in partially translated notebooks that reveal her aunt's complex life and struggle with her own sexuality, which Nuha hid to help the family emigrate to the U.S. But as Betty soon discovers, her aunt hid much more than that. The Skin and Its Girl is a searing, poetic tale about desire and identity and a provocative exploration of how we let stories divide, unite, and define us-and even wield the power to restore a broken family. Sarah Cypher is that rare debut novelist who writes with the mastery and flair of a seasoned storyteller--

Summary:

Loulie al-Nazari is the Midnight Merchant: a criminal who, with the help of her jinn bodyguard, hunts and sells illegal magic. When she saves the life of a cowardly prince, she draws the attention of his powerful father, the sultan, who blackmails her into finding an ancient lamp that has the power to revive the barren land-at the cost of sacrificing all jinn. With no choice but to obey or be executed, Loulie journeys with the sultan's oldest son to find the artifact. Aided by her bodyguard, who has secrets of his own, they must survive ghoul attacks, outwit a vengeful jinn queen, and confront a malicious killer from Loulie's past. And, in a world where story is reality and illusion is truth, Loulie will discover that everything-her enemy, her magic, even her own past-is not what it seems, and she must decide who she will become in this new reality--

Summary:

When Aref, a third-grader who lives in Muscat, Oman, refuses to pack his suitcase and prepare to move to Michigan, his mother asks for help from his grandfather, his Siddi, who takes Aref around the country, storing up memories he can carry with him to a new home.

Summary:

This ground-breaking anthology features the compelling and courageous memoirs of eighteen queer Arab writers - some internationally bestselling, others using pseudonyms. Here, we find heart-warming connections and moments of celebration alongside essays exploring the challenges of being LGBTQ+ and Arab. From a military base in the Gulf to loving whispers caught between the bedsheets; and from touring overseas as a drag queen to a concert in Cairo where the rainbow flag was raised to a crowd of thousands, this collection celebrates the true colours of a vibrant Arab queer experience --

Summary:

Zafira is the Hunter, disguising herself as a man when she braves the cursed forest of the Arz to feed her people. Nasir is the Prince of Death, assassinating those foolish enough to defy his autocratic father, the king. Both are legends in the kingdom of Arawiya-- but neither wants to be. When Zafira embarks on a quest to uncover a lost artifact that can restore magic to her suffering world and stop the Arz, Nasir is sent by the king on a similar mission: retrieve the artifact and kill the Hunter.--Adapted from jacket

Summary:

On a hot day in Bethlehem, a twelve-year-old Palestinian-American girl is yelled at by a group of men outside the Church of the Nativity. She has exposed her legs in a biblical city, an act they deem forbidden, and their judgement will echo on through her adolescence. When our narrator finally admits to her mother that she is queer, her mother's response only intensifies a sense of shame: You exist too much, she tells her daughter. Told in vignettes that flash between the U.S. and the Middle East--from New York to Jordan, Lebanon, and Palestine--Zaina Arafat's debut novel traces her protagonist's progress from blushing teen to sought-after DJ and aspiring writer--Back cover.