Celebrating Jewish American Heritage Month

Summary:

A Jewish girl orphaned during a pogrom in Russia emigrates to the United States where she becomes an agitator for workers' rights. She is Chava Meyer, a lesbian, and through her eyes are seen the conditions of workers in this country early this century. By the author of Riverfinger Women.

Summary:

Embracing Exile is a comprehensive history of Jewish responses to and conceptions of their exiles/diasporas. Jews have, since their beginnings, been a wandering people. According to their origin story, they wandered from Ur of Chaldees to Canaan to Egypt and then back to Canaan. From there, they were exiled to Babylon, where they built their longest-lived home, one that survived until the twentieth century. Over the span of centuries, they resettled in Persia, Egypt, Morocco, Spain, Italy, Turkey, Poland, Ukraine, and the United States, often flourishing. Thanks to these experiences, Diaspora became natural to Jews, and though they may have hoped for a return to their Promised Land at the End of Days, they made sense of their many homes, defending Diaspora as the realm where Jewish life could grow and Jews fulfill their covenantal obligations in the company of their God. The texts and expressions the volume documents in Defending Diaspora include biblical and rabbinic texts, philosophical treatises, Kabbalah, Hasidism, and a multiplicity of modern expressions. The book offers revised readings of the book of Esther and other biblical texts, a survey of Talmudic treatments of exile, an in-depth analysis of the thought of the Maharal of Prague, analyses of works by Philip Roth, and other modern authors, and much more. The book shows that lament has not been the most common Jewish response to diaspora and that Zionism is not the natural outcome of either Jewish ideology or history--

Summary:

A close-knit Jewish family in London is pushed to the brink when they suspect their daughter is a witch. Hannah and Eric Rosenthal are devout Jews living in North London with their three children and Eric's father Yosef, a Holocaust survivor. Both intellectually gifted and deeply unconventional, the Rosenthals believe in the literal truth of the Old Testament and in the presence of God (and evil) in daily life. As Hannah prepares to publish a sensationalist account of Yosef's years in war-torn Europe--unearthing a terrible secret from his time in the camps--Elsie, her perfect daughter, starts to come undone. And then, in the wake of Yosef's death, she disappears. When she returns, just as mysteriously as she left, she is altered in disturbing ways. Witnessing the complete transformation of her daughter, Hannah begins to suspect that Elsie has delved too deep into the labyrinths of Jewish mysticism and gotten lost among shadows. But for Elsie's brother Tovyah, a brilliant but reclusive student struggling to find his place at Oxford, the truth is much simpler: his sister is the product of a dysfunctional family, obsessed with empty rituals, traditions, and unbridled ambition. But who is right? Is religion the cure for the disease or the disease itself? And how can they stop the darkness from engulfing Elsie completely?

Summary:

Dr. Toby Fleishman wakes up each morning surrounded by women. Women who are self-actualized and independent and know what they want -- and, against all odds, what they want is Toby. Who knew what kind of life awaited him once he finally extracted himself from his nightmare of a marriage? Who knew that there were women out there who would actually look at him with softness and desire? But just as the winds of his optimism are beginning to pick up, they're quickly dampened, and then extinguished, when his ex-wife, Rachel, suddenly disappears. Toby thought he knew what to expect when he moved out: weekends and every other holiday with the kids, some residual bitterness, tense co-parenting negotiations. He never thought that one day Rachel would just drop their children off at his place and never come back. As Toby tries to figure out what happened and what it means, all while juggling his patients at the hospital, his never-ending parental duties, and his new, app-assisted sexual popularity, his tidy narrative of a spurned husband is his sole consolation. But if Toby ever wants to really understand where Rachel went and what really happened to his marriage, he is going to have to consider that he might not have seen it all that clearly in the first place.--

Summary:

This book discusses the issues underlying contemporary Holocaust fiction. Using Gillian Roses theory of Holocaust piety, it argues that, rather than enhancing our understanding of the Holocaust, contemporary fiction has instead become overly focused on gratuitous representations of bodies in pain. The book begins by discussing the locations and imagery which have come to define our understanding of the Holocaust, before then highlighting how this gradual simplification has led to an increasing sense of emotional distance from the historical past. Holocaust fiction, the book argues, attempts to close this emotional and temporal distance by creating an emotional connection to bodies in pain. Using different concepts relating to embodied experience from Sonia Kruks notion of feeling-with to Alison Landsbergs prosthetic memory the book analyses several key examples of Holocaust literature and film to establish whether fiction still possesses the capacity to approach the Holocaust impiously. David John Dickson is a literature specialist, focusing on fiction relating to the Holocaust. He has previously published papers relating to the ethical representation of the Holocaust past from Heather Morriss presentation of gendered suffering, to the fictional representation of death in the gas chamber. He also has an interest in the history of the Jewish ghetto police, and has published a paper relating to the confessional diary of Calel Perechodnik.

Summary:

In a stunning sequel to The Genius Under the Table, Eugene Yelchin's graphic memoir depicts his harrowing journey from Leningrad's underground art scene to a state-run Siberian asylum--and to eventual safety in the US. No longer the creative little boy under his grandmother's table, Yevgeny is now a young adult, pursuing his artistic dreams under the constant threat of the KGB's stranglehold on Russia's creative scene. When a chance encounter with an American woman opens him up to a world of romance and possibility, Yevgeny believes he has found his path to the future--and freedom overseas. But the threat of being drafted into the military and sent to fight in Afghanistan changes everything in a terrible instant, and he takes drastic measures to decide his fate, leading to unthinkable consequences in a mental hospital. With bold art bringing a vivid reality to life, National Book Award Finalist and Newbery Honoree Eugene Yelchin's sequel to the acclaimed memoir The Genius Under the Table returns to Yevgeny's saga, balancing the terror and oppression of Soviet Russia with the author's signature charm and dark wit. I Wish I Didn't Have to Tell You This shines a stark spotlight on history while offering a poignant, nuanced, and powerfully resonant look at growing up in--and ultimately leaving--Cold War Russia in the early 1980s--

Summary:

Jewish Women's History from Antiquity to the Present is broad in geographical scope exploring Jewish women's lives in what is now Eastern and Western Europe, Britain, Israel, Turkey, North Africa, and North America. Editors Federica Francesconi and Rebecca Lynn Winer focus the volume on reconstructing the experiences of ordinary women and situating those of the extraordinary and famous within the gender systems of their times and places. The twenty-one contributors analyze the history of Jewish women in the light of gender as religious, cultural, and social construct. They apply new methodologies in approaching rabbinic sources, prescriptive literature, and musar (ethics), interrogating them about female roles in the biblical and rabbinic imaginations, and in relation to women's restrictions and quotidian actions on the ground. They explore Jewish's women experiences of persecution, displacement, immigration, integration, and social mobility from the medieval age through the nineteenth century. And for the modern era, this volume assesses women's spiritual developments; how they experienced changes in religious and political societies, both Jewish and non-Jewish; the history of women in the Holocaust, their struggle through persecution and deportation; women's everyday concerns, Jewish lesbian activism, and the spiritual sphere in the contemporary era. Contributors reinterpret rabbinical responsa through new lenses and study a plethora of unpublished and previously unknown archival sources, such as community ordinances and court records, alongside autobiographies, letters, poetry, narrative prose, devotional objects, the built environment, illuminated manuscripts, and early printed books. This publication is significant within the field of Jewish studies and beyond; the essays include comparative material and have the potential to reach scholarly audiences in many related fields but are also written to be accessible to all, with the introductions in every chapter aimed at orienting the enthusiast from outside academia to each time and place.--Publisher's description.

Summary:

The daughter of an unmarried immigrant Jewish garment worker whose family perished in the Holocaust, Lillian Faderman dreamed of being an actress. Instead she worked her way through college posing for nude photographs, and by stripping. she slowly discovered that her deepest erotic and emotional connections were to women. After nearly losing herself in a dangerous world of addicts, pimps, and prostitutes, she became a brilliant student, eventually earning a Ph.D. And she became a loving partner, a devoted mother, an influential writer, and a groundbreaking scholar of gay and lesbian studies--

Summary:

How can genocide be witnessed through imaginative literature? How can the Holocaust affect readers who were not there? Reading the work of major figures such as Elie Wiesel, Paul Celan, Avrom Sutzkever, Ida Fink, Wladyslaw Szlengel, Itzhak Katzenelson, and Czesław Miłosz, Poesis in Extremis poses fundamental questions about how prose and poetry are written under extreme conditions, either in real time or immediately after the Holocaust. Framed by discussion of literary testimony, with Wiesel's literary memoir Night as an entry point, this innovative study explores the blurred boundary of fact and fiction in Holocaust literature. It asks whether there is a poetics of the Holocaust and what might be the criteria for literary witnessing. Wartime writing in particular tests the limits of poesis in extremis when poets faced their own annihilation and wrote in the hope that their words, like a message in a bottle, would somehow reach readers. Through Poesis in Extremis, Daniel Feldman and Efraim Sicher probe the boundaries of Holocaust literature, as well as the limits of representation. -- Publisher's description

Summary:

Publisher's description: Bosmajian explores children's texts that have either a Holocaust survivor or a former member of the Hitler Youth as a protagonist. The texts examined include juvenile fiction and picture books and understudied nonfiction accounts such as narrative about the Hitler Youth movement. It will appeal to scholars of the Holocaust, German Literature, Nazism and children's literature.

Summary:

In a very near future -- oh, let's say next Tuesday -- a functionally illiterate America is about to collapse. But don't tell that to poor Lenny Abramov, the thirty-nine-year-old son of an angry Russian immigrant janitor, proud author of what may well be the world's last diary, and less-proud owner of a bald spot shaped like the great state of Ohio. Despite his job at an outfit called Post-Human Services, which attempts to provide immortality for its super-rich clientèle, death is clearly stalking this cholesterol-rich morsel of a man. And why shouldn't it? Lenny's from a different century -- he totally loves books (or printed, bound media artifacts, as they're now known), even though most of his peers find them smelly and annoying. But even more than books, Lenny loves Eunice Park, an impossibly cute and impossibly cruel twenty-four-year-old Korean American woman who just graduated from Elderbird College with a major in Images and a minor in Assertiveness. After meeting Lenny on an extended Roman holiday, blistering Eunice puts that Assertiveness minor to work, teaching our ancient dork effective new ways to brush his teeth and making him buy a cottony nonflammable wardrobe. But America proves less flame-resistant than Lenny's new threads. The country is crushed by a credit crisis, riots break out in New York's Central Park, the city's streets are lined with National Guard tanks on every corner, the dollar is so over, and our patient Chinese creditors may just be ready to foreclose on the whole mess. Undeterred, Lenny vows to love both Eunice and his homeland. He's going to convince his fickle new love that in a time without standards or stability, in a world where single people can determine a dating prospect's hotness and sustainability with the click of a button, in a society where the privileged may live forever but the unfortunate will die all too soon, there is still value in being a real human being.

Summary:

With this brilliant novel, the bestselling author of The Mysteries of Pittsburgh and Wonder Boys gives us an exhilarating triumph of language and invention, a stunning novel in which the tragicomic adventures of a couple of boy geniuses reveal much about what happened to America in the middle of the twentieth century. Like Phillip Roth's American Pastoral or Don DeLillo's Underworld, Michael Chabon's The Amazing Adventures of Kavalier & Clay is a superb novel with epic sweep, spanning continents and eras, a masterwork by one of America's finest writers. It is New York City in 1939. Joe Kavalier, a young artist who has also been trained in the art of Houdini-esque escape, has just pulled off his greatest feat to date: smuggling himself out of Nazi-occupied Prague. He is looking to make big money, fast, so that he can bring his family to freedom. His cousin, Brooklyn's own Sammy Clay, is looking for a collaborator to create the heroes, stories, and art for the latest novelty to hit the American dreamscape: the comic book. Out of their fantasies, fears, and dreams, Joe and Sammy weave the legend of that unforgettable champion the Escapist. And inspired by the beautiful and elusive Rosa Saks, a woman who will be linked to both men by powerful ties of desire, love, and shame, they create the otherworldly mistress of the night, Luna Moth. As the shadow of Hitler falls across Europe and the world, the Golden Age of comic books has begun. The brilliant writing that has led critics to compare Michael Chabon to John Cheever and Vladimir Nabokov is everywhere apparent in The Amazing Adventures of Kavalier & Clay. Chabon writes like a magical spider, effortlessly spinning out elaborate webs of words that ensnare the reader, wrote Michiko Kakutani of The New York Times about Wonder Boys-and here he has created, in Joe Kavalier, a hero for the century.--

Summary:

The Animal Is Chemical is a book about the body and the mind--their response to illness and their rejection of, or dependence on, all we do to medicate what we cannot bear to feel.--Page 4 of cover.

Summary:

When death has a story to tell, you listen. It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. By her brother's graveside, Liesel Meminger finds her life changed when she picks up a single object, partially hidden in the snow. It is The Grave Digger's Handbook, left there by accident, and it is her first act of book thievery. So begins a love affair with books and words, as Liesel, with the help of her accordion-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor's wife's library, wherever there are books to be found. But these are dangerous times. When Liesel's foster family hides a Jewish man in their basement, Liesel's world is both opened up and closed down.--Book jacket flap.

Summary:

Death lurks around every corner in this unforgettable Jewish historical fantasy about a city, a boy, and the shadows of the past that bind them both together. Chicago, 1893. For Alter Rosen, this is the land of opportunity, and he dreams of the day he'll have enough money to bring his mother and sisters to America, freeing them from the oppression they face in his native Romania. But when Alter's best friend, Yakov, becomes the latest victim in a long line of murdered Jewish boys, his dream begins to slip away. While the rest of the city is busy celebrating the World's Fair, Alter is now living a nightmare: possessed by Yakov's dybbuk, he is plunged into a world of corruption and deceit, and thrown back into the arms of a dangerous boy from his past. A boy who means more to Alter than anyone knows. Now, with only days to spare until the dybbuk takes over Alter's body completely, the two boys must race to track down the killer - before the killer claims them next. --

Summary:

Chava, a golem brought to life by a disgraced rabbi, and Ahmad, a jinni made of fire, form an unlikely friendship on the streets of New York until a fateful choice changes everything.

Summary:

Ester Velasquez is an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city. Helen Watt is an ailing historian with a love of Jewish history. When Helen is summoned by a former student to view a cache of seventeenth-century Jewish documents newly discovered in his home during a renovation, she enlists the help of Aaron Levy, an American graduate student as impatient as he is charming. In a race with another fast-moving team of historians, Helen embarks on one last project: to determine the identity of the documents' scribe, the elusive Aleph.