Celebrating Native American Heritage Month

Summary:

Written like a crooked Métis jig, A Grandmother Begins the Story follows five generations of women and bison as they reach for the stories that could remake their worlds and rebuild their futures. Carter is a young mother, recently separated. She is curious, angry, and on a quest to find out what the heritage she only learned of in her teens truly means. Allie, Carter's mother, is trying to make up for the lost years with her first born, and to protect Carter from the hurt she herself suffered from her own mother. Lucie wants the granddaughter she's never met to help her join her ancestors in the Afterlife. And Geneviève is determined to conquer her demons before the fire inside burns her up, with the help of the sister she lost but has never been without. Meanwhile, Mamé, in the Afterlife, knows that all their stories began with her; she must find a way to cut herself from the last threads that keep her tethered to the living, just as they must find their own paths forward.--Provided by publisher.

Summary:

A gripping literary debut about power and corruption, family, and facing the ghosts of the past. Mitch Caddo, a young law school graduate and aspiring political fixer, is an outsider in the homeland of his Anishinaabe ancestors. But alongside his childhood friend, Tribal President Mack Beck, he runs the government of the Passage Rouge Nation, and with it, the tribe's Golden Eagle Casino and Hotel. On the eve of Mack's reelection, their tenuous grip on power is threatened by a nationally known activist and politician, Gloria Hawkins, and her young aide, Layla Beck, none other than Mack's estranged sister and Mitch's former love. In their struggle for control over Passage Rouge, the campaigns resort to bare-knuckle political gamesmanship, testing the limits of how far they will go-and what they will sacrifice-to win it all. But when an accident claims the life of Mitch's mentor, a power broker in the reservation's political scene, the election slides into chaos and pits Mitch against the only family he has. As relationships strain to their breaking points and a peaceful protest threatens to become an all-consuming riot, Mitch and Layla must work together to stop the reservation's descent into violence. Thrilling and timely, Big Chief is an unforgettable story about the search for belonging-to an ancestral and spiritual home, to a family, and to a sovereign people at a moment of great historical importance--

Summary:

When twelve-year-old Summer visits her family on a reservation in Alberta, Canada, she begins experiencing vivid dreams of running away from a residential school like the one her grandfather attended as a child and learns about unmarked children's graves, prompting her to seek answers about her community's painful past.

Summary:

A powerful work of reportage and American history in the vein of Caste and How the Word Is Passed that braids the story of the forced removal of Native Americans onto treaty lands in the nation's earliest days, and a small-town murder in the '90s that led to a Supreme Court ruling reaffirming Native rights to that land over a century later--

Summary:

Deer Woman: an anthology brings together more than a dozen Native and Indigenous women artists and illustrators to present stories of resistance, survival, empowerment and hope. Drawing from the inspiration of traditional Deer Woman stories, Deer Woman: an anthology will be a powerful collection of stories by Native women to bring determination and healing to those in need and those willing to listen with their hearts.--Provided by publisher.

Summary:

Piper feels grateful for visits with her relatives, especially for the time spent with her cousins in Cherokee Nation and Muscogee Nation during summer vacations, fishing on misty mornings and playing on firefly-filled evenings. Piper's family lives a road trip away in Kansas City. So when a neighbor named Sumi moves in next door, Piper is excited to share her stories and seasons with a new friend. The two are inseparable -- until Piper's family moves to another city. Their bond overcomes distance, and with time, Piper dreams up a plan to reunite with the people she loves most of all--

Summary:

Simpson provides a collection of poetry and prose exploring the intimacies of understanding intergenerational trauma, Indigeneity and queerness, while addressing urban Indigenous diaspora and breaking down the limitations of sexual understanding as a trans woman. As a way to move from the linear timeline of healing and coming to terms with how trauma does not exist in subsequent happenings, the author tries to breakdown years of silence in their debut collection of poetry. --

Summary:

A Muscogee pop star and a cowboy who couldn't be more different come together to strike a deal in this new romantic comedy by Danica Nava, author of The Truth According to Ember. Pop singer Avery Fox has become a national joke after posing scantily clad on the cover of Rolling Stone in a feather war bonnet. What was meant to be a statement of her success as a Native American singer has turned her into a social pariah and dubbed her a fake. With threats coming from every direction and her career at a standstill, she escapes to her estranged grandmother Lottie's ranch in Oklahoma. Living on the rez is new to Avery-not only does she have to work in the blazing summer heat to earn her keep, but the man who runs Lottie's horse ranch despises her and wants her gone. Red Fox Ranch has been home to Lucas Iron Eyes since he was sixteen years old. He has lived by three rules to keep himself out of trouble: 1) preserve the culture, 2) respect the horses, and 3) stick to himself. When he is tasked with picking up Lottie's granddaughter at the bus station, the last person he expected to see is the Avery Fox. Lucas can't stand what she represents, but when he's forced to work with her on the ranch, he can't get her out of his sight-or his head. He reminds himself to stick to his rules, especially after he finds out the ranch is under threat of being shut down. It's clear Avery doesn't belong here, but they form a tentative truce and make a deal: Avery will help raise funds to save the ranch, and in exchange, Lucas will show her what it really means to be an Indian. It's purely transactional, absolutely no horsing around...but where's the fun in that?-- Provided by publisher.

Summary:

A sweeping and deeply personal account of Native American boarding schools in the United States, and the legacy of abuse wrought by them in an attempt to destroy Native culture and life. From the mid-nineteenth century to the late 1930s, tens of thousands of Native children were pulled from their tribal communities to attend boarding schools whose stated aim was to 'save the Indian' by way of assimilation. In reality, these boarding schools--sponsored by the U.S. government, but often run by various religious orders with little to no regulation--were a calculated attempt to dismantle tribes by pulling apart Native families. Children were beaten for speaking their Native languages; denied food, clothing, and comfort; and forced to work menial jobs in terrible conditions, all while utterly deprived of love and affection. Among those thousands of children was Ojibwe journalist Mary Pember's mother, who was sent to a boarding school in northern Wisconsin at age five. The trauma of her experience cast a pall over Pember's own childhood and her relationship with her mother. Highlighting both her mother's experience and the experiences of countless other students at such schools, their families, and their children, Medicine River paints a stark but hopeful portrait of communities still reckoning with the trauma of acculturation, religion, and abuse caused by the state. Through searing interviews and careful reporting, Pember traces the evolution and continued rebirth of Native cultures and nations in relation to the country that has been intent on eradicating them --

Summary:

A stunning, multimorphic work of poetry and prose about Indigenous identity. mother is a work rooted in an intimate fracture: an Indigenous child is adopted out of her tribe and raised by a non-Indian family. As an adult finding her way back to her origins, our unnamed narrator begins to put the pieces of her birth family's history together through the stories told to her by her mother, father, sister, and brother, all of whom remained on the reservation where she was born. Through oral histories, family lore, and imagined pasts and futures, a collage of their community builds, raising profound questions about adoption, inheritance, and Indigenous identity in America.--

Summary:

Abe Jacobs is Kanien'kehá:ka from Ahkwesáhsne--that's People of the Flint, from Where the Partridge Drums--or, if you ask a white dude, a Mohawk Indian from the Saint Regis Tribe. Whichever way you cut it--and Dominick Deer Woods, our irreverent, wisecracking narrator, cuts it six ways to Sunday--at eighteen Abe left the reservation where he was raised and never looked back. Now forty-three, Abe is suffering from a rare disease--one his doctors in Miami believe will kill him. Running from his diagnosis and a failing marriage, Abe returns to the Rez, where he's convinced to undergo a healing at the hands of his Great Uncle Budge. But this ain't Sweet Home Ahkwesáhsne, as Dominick might say, and Budge--a wry recovered alcoholic prone to wearing band t-shirts featuring pot-bellied naked dudes--isn't the least bit precious about his gift. Which is good, because his time off Rez has made Abe a thorough skeptic. However, to heal Abe will have to undertake a revelatory journey, confronting the parts of himself he's hidden ever since he left home and learning to cultivate hope, even at his darkest hour. Delivered with crackling wit and wildly inventive linguistic turns, Old School Indian is a striking exploration of the power and secrets of family, the capacity for healing and catharsis, and the ripple effects of history and culture-- Provided by publisher.

Summary:

Return to Sugar Island in this explosive story about seeking justice for the past, from the internationally bestselling author ofFirekeeper's Daughter

Summary:

What do we owe to the living, the dead, to the reader and to the book? A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store's most annoying customer, Flora, who dies on All Souls' Day, and won't leave the store. Tookie, who has landed a job selling books after years of incarceration, survived by reading with murderous attention, must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning. The novel's mystery and proliferating ghost stories during this one year propel a narrative as rich, emotional, and profound as anything Louise Erdrich has written.

Summary:

When did the federal government's self-appointed, essentially limitless authority over Native America become constitutional? The story they have chosen to tell is wrong. It is time to tell a better story. Thus begins Keith Richotte's playful, unconventional look at Native American and Supreme Court history. At the center of his account is the mystery of a massive federal authority called plenary power. When the Supreme Court first embraced plenary power in the 1880s it did not bother to seek any legal justification for the decision -- it was simply rooted in racist ideas about tribal nations. By the 21st century, however, the Supreme Court was telling a different story, with opinions crediting the U.S. Constitution as the explicit source of federal plenary power. So, when did the Supreme Court change its story? Just as importantly, why did it change its story? And what does this change mean for Native America, the Supreme Court, and the rule of law? In a unique twist on legal and Native history, Richotte uses the genre of trickster stories to uncover the answers to these questions and offer an alternative understanding. The Worst Trickster Story Ever Told provides an irreverent, entertaining synthesis of Native American legal history across more than 100 years, reflecting on race, power, and sovereignty along the way. By embracing the subtle, winking wisdom of trickster stories, and centering the Indigenous perspective, Richotte opens up new avenues for understanding this history. We are able, then to imagine a future that is more just, equitable, and that better fulfills the text and the spirit of the Constitution --

Summary:

Colorado, 1864. Star, a young survivor of the Sand Creek Massacre, is brought to the Fort Marion prison-castle, where he is forced to learn English and practice Christianity by Richard Henry Pratt, an evangelical prison guard who will go on to found the Carlisle Indian Industrial School, an institution dedicated to the eradication of Native history, culture, and identity. A generation later, Star's son, Charles, is sent to the school, where he is brutalized by the man who was once his father's jailer. Under Pratt's harsh treatment, Charles clings to moments he shares with a young fellow student, Opal Viola, as the two envision a future away from the institutional violence that follows their bloodlines. In a novel that is by turns shattering and wondrous, Tommy Orange has conjured the ancestors of the family readers first fell in love with in 'There There' -- warriors, drunks, outlaws, addicts -- asking what it means to be the children and grandchildren of massacre. 'Wandering Stars' is a novel about epigenetic and generational trauma that has the force and vision of a modern epic, an exceptionally powerful new book from one of the most exciting writers at work today and soaring confirmation of Tommy Orange's monumental gifts.--

Summary:

A stunning narrative from one of the most powerful young writers at work today and the director of the Academy Award-nominated documentary Sugarcane, We Survived the Night interweaves oral history with hard-hitting journalism and a deeply personal father-son journey into a searing portrait of Indigenous survival, love, and resurgence.--Dust jacket flap.

Summary:

From the award-winning author of the Cash Blackbear series, a harrowing novel of a Native American woman who learns of the disappearance of one of her own and decides enough is enough... All they heard was her scream. Quill has lived on the Red Pine reservation in Minnesota her whole life. She knows what happens to people who look like her. Just a girl when Jimmy Sky jumped off the railway bridge and she ran for help, Quill realizes now that she hasn't ever stopped running. As she trains for the Boston Marathon early one morning out in the woods, she hears a scream. When she investigates, she finds tire tracks and a lone, beaded earring. Things are different now for Quill than when she was a lonely girl. Her friends Punk and Gaylyn are two women who don't know what it means to quit; she has her loving husband, Crow, and two beautiful children who challenge her to be better every day. So when she realizes another woman has been stolen, she is determined to do something--and her first stop is the group of men working the pipeline construction just north of their homes. As Quill closes in on the truth behind the missing woman in the woods, someone else disappears. In her quest to find justice for the women of the reservation, she is confronted with the hard truths of their home and the people who purport to serve them. When will she stop losing neighbors, friends, family? As Quill puts herself, her family, and everything she's built on the line to make a difference, the novel asks searing questions about bystander culture, the reverberations of even one act of crime, and the long-lasting trauma of being invisible--