CELEBRATING UNDOCU MONTH

Summary:

When Alma Sofia Esperanza José Pura Candela asks her father why she has so many names, she hears the story of her name and learns about her grandparents.

Summary:

With beauty, grace, and honesty, Castillo recounts his and his family's encounters with a system that treats them as criminals for seeking safe, simple lives. He writes of the Sunday afternoon when he opened the door to an ICE officer who had one hand on his holster, of the hours he spent making a fake social security card so that he could work to support his family, of his father's deportation and the decade that he spent waiting to return to his wife and children only to be denied reentry, and of his mother's heartbreaking decision to leave her children and grandchildren so that she could be reunited with her estranged husband and retire from a life of hard labor--Book jacket

Summary:

Growing up as the daughter of Mexican immigrants in Chicago in the nineties, Erika Sánchez was a self-described pariah, misfit, and disappointment--a foul-mouthed, melancholic rabble-rouser who painted her nails black but also loved comedy, often laughing so hard with her friends that she had to leave her school classroom. Twenty-five years later, she's now an award-winning novelist, poet, and essayist, but she's still got an irrepressible laugh, an acerbic wit, and singular powers of perception about the world around her. In these essays, Sánchez writes about everything from sex to white feminism to debilitating depression, revealing an interior life rich with ideas, self-awareness, and perception. Raunchy, insightful, unapologetic, and brutally honest, Crying in the Bathroom is Sánchez at her best--a book that will make you feel that post-confessional high that comes from talking for hours with your best friend.

Summary:

What if you dreamed of a new life, and it came to you? What if that new life led you to a new country, where no one spoke your language, where you felt alone and ignored? What if you had to make that new place your home? What if you found that home in a world of books? And what if it all were true?--Jacket.

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The Hispanic past of the United States predates the arrival of the Pilgrims by a century, and has been every bit as important in shaping the nation as it exists today. Gibson explains that our nation's Spanish roots have often been unacknowledged or marginalized. Here she chronicles the sweeping and dramatic history of Hispanic North America from the arrival of the Spanish in the early 16th century to the present, with the recent tragedy of post-hurricane Puerto Rico and the ongoing border acrimony with Mexico. Cultural issues that have been there from the start but which are unresolved to this day-- language, belonging, community, race, and nationality-- are seen to play out over centuries, and provide vital perspective at a time when it is urgently needed. -- adapted from publisher info.

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Young Latinos across the United States are redefining their identities, pushing boundaries, and awakening politically in powerful and surprising ways. Many of them--Afrolatino, Indigenous, Muslim, queer and undocumented, living in large cities and small towns--are voices who have been chronically overlooked in how the diverse population of almost sixty million Latinos in the U.S. has been represented. No longer. In this empowering cross-country travelogue, journalist and activist Paola Ramos embarks on a journey to find the communities of people defining the controversial term, 'Latinx.' She introduces us to the Indigenous Oaxacans who rebuilt the main street in a post-industrial town in upstate New York, the 'Las Poderosas' who fight for reproductive rights in Texas, the musicians in Milwaukee whose beats reassure others of their belonging, as well as drag queens, environmental activists, farmworkers, and the migrants detained at our border. Drawing on intensive field research as well as her own personal story, Ramos chronicles how 'Latinx' has given rise to a sense of collectivity and solidarity among Latinos unseen in this country for decades. A vital and inspiring work of reportage, Finding Latinx calls on all of us to expand our understanding of what it means to be Latino and what it means to be American. The first step towards change, writes Ramos, is for us to recognize who we are--Publisher's description.

Summary:

For generations, women of color have had to push against powerful forces of sexism, racism, and classism in this country, and too often, they have felt that they had to face these challenges alone. Through her writing, her activism, and through founding Latina Rebels, Prisca Dorcas Mojica Rodríguez fought to create community to help women fight together. Now her new book For Brown Girls with Sharp Edges and Tender Hearts offers wisdom and a liberating path forward for all fellow Brown girls. Her new book addresses a range of issues: How can Brown girls survive, and thrive, in spaces that were never meant for us? How do we feel pride when we're forced to code-switch? How can we deal with our own imposter syndrome? How do we free ourselves from internalized racism, when it comes to colorism within our communities? And what does it mean to decolonize our worldview? Chapter by chapter, Mojica Rodríguez not only defines these terms, she crafts powerful new ways to address these challenges. She defies universal white narratives by telling her own stories. She gives readers access to the knowledge that changed her life and powered her activism. Too often Brown girls have had to strive and climb and force themselves into predominantly white spaces that were never built for them. Here Mojica Rodríguez crafts a love letter and a manifesto to Brown girls, guiding them toward women who have innovated a sense of pride and sisterhood when the dominant community has failed them. In the end, this timely and urgent book energizes a movement with essential tools to help women speak up and make change. May it spark a fire within you--Provided by publisher.

Summary:

In Rosario, Argentina, Camila Hassan leads a double life. At home, she is a careful daughter, living within her mother's narrow expectations, in the shadow of her soccer-star brother, and under the abusive rule of her short-tempered father. On the field, she is La Furia, a powerhouse of skill and talent. When her team qualifies for the South American tournament, Camila gets the chance to see just how far those talents can take her. But the path ahead isn't easy. Her parents would never allow a girl to play fútbol, and she needs their permission to go any farther. And the boy she once loved is back in town. Since he left, Diego has become an international fútbol celebrity, but things have changed for Camila, too: she has her own passions and ambitions, and Furia cannot be denied. As her life becomes more complicated, Camila is forced to face her secrets and make her way in a world unprepared for the dreams of a girl like her. Furia is an achingly real and powerfully told story about family, identity, first love, and--of course--fútbol. It will resonate with anyone who has been told she can't have it all--especially those who have gone out to get it anyway--From dust jacket.

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Sixteen-year-old Gabi Hernandez chronicles her senior year in high school as she copes with her friend Cindy's pregnancy, friend Sebastian's coming out, her father's meth habit, her own cravings for food and cute boys, and especially, the poetry that helps forge her identity.

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Named one of the best books of the summer by the Wall Street Journal, Elle, the Huffington Post and Purewow Latin America's new literary star.--The New Yorker Brilliant. Like a literary exercise for the mind, but strangely fun to decode.--Elle The most talked-about writer to come out of Chile since Bolaño, (The New York Times Book Review), Alejandro Zambra is celebrated around the world for his strikingly original, slyly funny, daringly unconventional fiction. Now, at the height of his powers, Zambra returns with his most audaciously brilliant book yet. Written in the form of a standardized test, Multiple Choice invites the reader to respond to virtuoso language exercises and short narrative passages through multiple-choice questions that are thought-provoking, usually unanswerable, and often absurd. It offers a new kind of reading experience, one in which the reader participates directly in the creation of meaning, and the nature of storytelling itself is called into question. At once funny, poignant, and political, Multiple Choice is about love and family, authoritarianism and its legacies, and the conviction that, rather than learning to think for ourselves, we are trained to obey and repeat. Serious in its literary ambition and playful in its execution, it confirms Alejandro Zambra as one of the most important writers working in any language--

Summary:

For an undocumented immigrant, what is the true cost of the American dream? Julissa Arce shares her story in a riveting memoir. When she was 11 years old Julissa Arce left Mexico and came to the United States on a tourist visa to be reunited with her parents, who dreamed the journey would secure her a better life. When her visa expired at the age of 15, she became an undocumented immigrant. Thus began her underground existence, a decades long game of cat and mouse, tremendous family sacrifice, and fear of exposure. After the Texas Dream Act made a college degree possible, Julissa's top grades and leadership positions landed her an internship at Goldman Sachs, which led to a full time position--one of the most coveted jobs on Wall Street. Soon she was a vice president, a rare Hispanic woman in a sea of suits and ties, yet still guarding her 'underground' secret. In telling her personal story of separation, grief, and ultimate redemption, Arce shifts the immigrant conversation, and changes the perception of what it means to be an undocumented immigrant--

Summary:

New London, Texas. 1937. Naomi Vargas and Wash Fuller know about the lines in East Texas as well as anyone. They know the signs that mark them. They know the people who enforce them. But sometimes the attraction between two people is so powerful it breaks through even the most entrenched color lines. And the consequences can be explosive. (Set during the 1937 New London school explosion, the deadliest school disaster in American history.).

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A powerful meditation on friendship, mothers and daughters, and the deep-rooted truths of our homelands. Kali Fajardo-Anstine's magnetic story collection breathes life into her Latina characters of indigenous ancestry and the land they inhabit in the American West. Against the remarkable backdrop of Denver, Colorado - a place that is as fierce as it is exquisite - these women navigate the way they navigate their lives: with caution, grace, and quiet force. In Sugar Babies, ancestry and heritage are hidden inside the earth but tend to rise during land disputes. Any Further West follows a sex worker and her daughter as they leave their ancestral home in southern Colorado only to find a foreign and hostile land in California. In Tomi, a woman leaves prison and finds herself in a gentrified city that is a shadow of the one she remembers from her childhood. And in the title story, Sabrina & Corina, a Denver family falls into a cycle of violence against women, coming together only through ritual. Sabrina & Corina is a moving narrative of unrelenting feminine power and an exploration of the universal experiences of abandonment, heritage, and an eternal sense of home. --

Summary:

Almost 10 years before Brown vs. Board of Education, Sylvia Mendez and her parents helped end school segregation in California. An American citizen of Mexican and Puerto Rican heritage who spoke and wrote perfect English, Mendez was denied enrollment to a Whites only school. Her parents took action by organizing the Hispanic community and filing a lawsuit in federal district court. Their success eventually brought an end to the era of segregated education in California.

Summary:

Growing up in Raymond Carver country--Yakima, Washington--Noé Álvarez worked at an apple-packing plant alongside his mother, who 'slouched over a conveyor belt of fruit, shoulder to shoulder with mothers conditioned to believe this was all they could do with their lives.' Escape came in the form of a university scholarship, but as a first-generation Latino college-goer, Álvarez struggled to fit in. At nineteen, he learned about a Native American/First Nations movement called the Peace and Dignity Journeys, epic marathons meant to renew cultural connections across a North America older than its present political borders. He dropped out of school and joined a group of Dené, Secwépemc, Gitxsan, Dakelh, Apache, Tohono O'odham, Seri, Purépecha, and Maya runners, all fleeing difficult beginnings. Telling their stories alongside his own, Álvarez writes about a four-month-long journey that pushed him to his limits. He writes not only of overcoming hunger, thirst, and fear--dangers included stone-throwing motorists and a mountain lion--but also of asserting Indigenous and working-class humanity in a capitalist society where oil extraction, deforestation, and substance abuse wreck communities. Running through mountains, deserts, and cities, and through the Mexican territory his parents left behind, Álvarez forges a new relationship with the land, and with the act of running, carrying with him the knowledge of his parents' migration, and--against all odds in a society that exploits his body and rejects his spirit--the dream of a liberated future--

Summary:

Structured around the forty questions Luiselli translates and asks undocumented Latin-American children facing deportation, Tell Me How It Ends (an expansion of her 2016 Freeman's essay of the same name) humanizes these young migrants and highlights the contradiction of the idea of America as a fiction for immigrants with the reality of racism and fear--both here and back home--

Summary:

Ana Falcón, along with her husband Lucho and their two young children, has fled the economic and political strife of Peru for a chance at a new life in New York City in the 1990s. Being undocumented, however, has significantly curtailed the family's opportunities: Ana is indebted to a loan shark who calls herself Mama, and is stretched thin by unceasing shifts at her factory job. To make matters worse, Ana must also battle both criticism from Lucho's cousin--who has made it obvious the family is not welcome to stay in her spare room for much longer--and escalating and unwanted attention from Mama's husband.

Summary:

Arturo and Alma Rivera have lived their whole lives in Mexico. One day, their beautiful fifteen-year-old daughter, Maribel, sustains a terrible injury, one that casts doubt on whether she'll ever be the same. And so, leaving all they have behind, the Riveras come to America with a single dream: that in this country of great opportunity and resources, Maribel can get better. When Mayor Toro, whose family is from Panama, sees Maribel in a Dollar Tree store, it is love at first sight. It's also the beginning of a friendship between the Rivera and Toro families, whose web of guilt and love and responsibility is at this novel's core.--Jacket.

Summary:

When Reyna Grande's father leaves his wife and three children behind in a village in Mexico to make the dangerous trek across the border to the United States, he promises he will soon return from El Otro Lado (The Other Side) with enough money to build them a dream house where they can all live together. His promises become harder to believe as months turn into years. When he summons his wife to join him, Reyna and her siblings are deposited in the already overburdened household of their stern, unsmiling grandmother. The three siblings are forced to look out for themselves; in childish games they find a way to forget the pain of abandonment and learn to solve very adult problems. When their mother at last returns, the reunion sets the stage for a dramatic new chapter in Reyna's young life: her own journey to El Otro Lado to live with the man who has haunted her imagination for years, her long-absent father. -- Jacket, p. [2].

Summary:

Traveling across the country, journalist Karla Cornejo Villavicencio risked arrest at every turn to report the extraordinary stories of her fellow undocumented Americans. Her subjects have every reason to be wary around reporters, but Cornejo Villavicencio has unmatched access to their stories. Her work culminates in a stunning, essential read for our times. Born in Ecuador and brought to the United States when she was five years old, Cornejo Villavicencio has lived the American Dream. Raised on her father's deliveryman income, she later became one of the first undocumented students admitted into Harvard. She is now a doctoral candidate at Yale University and has written for The New York Times. She weaves her own story among those of the eleven million undocumented who have been thrust into the national conversation today as never before. Looking well beyond the flashpoints of the border or the activism of the DREAMERS, Cornejo Villavicencio explores the lives of the undocumented as rarely seen in our daily headlines. In New York, we meet the undocumented workers who were recruited in the federally funded Ground Zero cleanup after 9/11. In Miami we enter the hidden botanicas, which offer witchcraft and homeopathy to those whose status blocks them from any other healthcare options. In Flint, Michigan, we witness how many live in fear as the government issues raids at grocery stores and demands identification before offering life-saving clean water. In her book, Undocumented America, Cornejo Villavicencio powerfully reveals the hidden corners of our nation of immigrants. She brings to light remarkable stories of hope and resilience, and through them we come to understand what it truly means to be American--Provided by publisher.

Summary:

In Spanish, Güero is a nickname for guys with pale skin, Latino or Anglo. But make no mistake: our red-headed, freckled hero is pure mexicano, like Canelo Álvarez, the Mexican boxer. Güero is also a nerd--reader, gamer, musician--who runs with a squad of misfits like him, Los Bobbys. Sure, they get in trouble like anybody else, and like other middle-school boys, they discover girls. Watch out for Joanna! She's tough as nails. But trusting in his family's traditions, his accordion and his bookworm squad, he faces seventh grade with book smarts and a big heart. Life is tough for a border kid, but Güero has figured out how to cope. He writes poetry. -- From back cover.

Summary:

Lupita, the oldest of eight siblings, is used to taking the lead - and staying busy behind the scenes to help keep everyone together. But when she discover Mami has been diagnosed with cancer, Lupita is terrified by the possibility of losing her mother, the anchor of their close-knit Mexican American family. Suddenly Lupita must face a whole new set of challenges, with must face a whole new set of challenges, with new roles to play, and no one is handing her the script. In the midst of juggling high school classes, finding her voice as an actress, and dealing with friends who don't always understand, Lupita desperately wants to support Mami in whatever way she can. While Papi is preoccupied with caring for Mami, Lupita takes charge of her siblings. As Lupita struggles to keep the family afloat, she escapes the chaos at home by writing in the shade of a mesquite tree. Overwhelmed by change, she seeks refuge in the healing power of words. Told with honest emotion in evocative free verse, Lupita's journey is both heart-wrenching and hopeful. Under the Mesquite is an empowering story about the testing of family bonds, the strength of a teenage girl navigating pain and hardship with surprising resilience, and the kind of love that cannot be uprooted. -- From dust jacket.

Summary:

Herrera's parents each married five times; when she was three years old her parents separated and she and her sister moved from Cape Cod to New York City to live with their mother and their new hard-drinking stepfather. They saw their father only during summers on the Cape, when they and the other neighborhood children would be left to their own devices by parents who were busy painting, writing, or composing music. This was upper bohemia, a milieu of people born to privilege who chose to focus on the life of the mind. Here she captures the tension between a child's excitement at every new thing and her sadness at losing the comfort of a reliable family. -- adapted from jacket

Summary:

The bestselling and award-winning contributors include Elizabeth Acevedo, Cristina Arreola, Ingrid Rojas Contreras, Naima Coster, Natasha Diaz, Saraciea J. Fennell, Kahlil Haywood, Zakiya Jamal, Janel Martinez, Jasminne Mendez, Meg Medina, Mark Oshiro, Julian Randall, Lilliam Rivera, and Ibi Zoboi--Back cover.